Flute Roots is the first of its kind!

You can buy and read every single flute pedagogy book out there, and you can attempt to implement those ideas on your own. Heck, you're probably already doing it. So doesn't it make you wonder why you still have all those burning questions? I'll give you some insight...

Pedagogy Reality #1: When you "flood the field" with too many books and resources, you end up with Pedagogy Pudding. There's a lot of stuff in there. All of it probably has value...but not all of it together. You've got to know which ingredients are necessary and which ones are causing the issues you can never seem to fix. You can't know that if you aren't a dedicated flute player. (That's why I'm here)

Pedagogy Reality #2: Most of the resources you've likely uncovered teach you how to teach the flute...but they don't teach you how to THINK about teaching the flute. If you think differently, you'll teach differently. This produces a totally different (and better) result for you and your students. You know those grueling pitfalls that come with learning to play the flute? I'm here to teach you how to move your beginners through that experience so they don’t get stuck on the roadblocks that prevent them from loving the flute!

Pedagogy Reality #3: There isn't ONE way to teach flute to beginners...but there is a starting point that works for 90% or more of students. Every resource you tap into is going to tell you something different, and it causes you to end up trying things that don't work very well. That stops here. You'll learn the most tried and true methods and techniques of getting beginners started quickly and correctly.

Session 2: Flute Facts

Contrary to popular belief, the flute they play and the book they start with doesn't make the player. Your approach is what makes the player...AND there's an ideal starting point, which I share with YOU.

Includes:
- Recommended method books and a clear description of who they're best for

- How to handle an "inherited" method book (the do's and don'ts and everything in between)

- A world of recommendations including rental flutes, headjoints, plastic flutes...and the most effective ways to talk to parents about purchasing an instrument

Session 3: Flute Test Drives and Getting Started

Have you ever wondered who will turn out to be your best flutists? There are specific criteria to look out for when testing students on the flute. I’ll share strategies for getting students started right from the beginning. Then, you’ll learn the exact way to teach breathing and embouchure. Hint: this does not include the “Kiss and Roll of Death.”

Includes:
- Why certain students "get it" from the beginning, and others don't (HINT: How you approach them makes all the difference)

- Tricks for teaching embouchure and breathing including chin and head placement

- Understanding crazy embouchures: The Cow, The Grandma, The Toothless Wonder, The Flex Jaw, and many more

- Tried and true ways to teach how to breathe like a flutist and not a human

Session 4: Player Progress, Highs and Lows, and Articulation

It's one thing to emphasize good technique and practice in a learning environment. What happens "after hours" can help or hinder the rise of a beginner. In this session, I walk you through the best practices I've discovered and used to engage parents in a way that helps students progress quickly.

Learn how to teach beginners how to make high and low sounds on their headjoints as well as understand all the crazy articulations that can happen with beginners and how to fix them.

It’s easy to get bored from just playing your headjoint day after day, lesson after lesson. In this session, you’ll see a number of fun activities that students can do with the headjoint that keep learning interesting and creative.

Includes:
- Strategies for teaching a beginner how to practice the flute in a way that creates incremental improvement that both you and they can see in real time (progress is motivating!)

- A structured conversation to have with parents to help them understand how learning an instrument is unique from any other endeavor (and how they can support it)

- How to manage the expectations of both kids and parents who are comparing progress on the flute to progress with other things (HINT: Progress on the flute isn't the same as progress on the piano!)

- Teaching highs and lows on the headjoint so they understand from day 1

- Learn about the crazy articulations methods that exist and how to fix them: The Owl, The Frog, The Hyperventilator

- Headjoint exercises and games

Session 5: Major Milestones

As a teacher, knowing when and how to advance a beginner to the next step is especially important. Move too fast and they experience disappointment. Move too slowly and their interest dwindles. In this session, I discuss the topic of readiness.

Includes:
- How to know when to move a beginner from playing the headjoint to putting the whole flute together (and which note is best to start on)

- The best ways to teach a beginner how to bring the flute into playing position (and avoid the dreaded "flute droop")

- Techniques for helping beginners produce a clear sound when they play a note for the first time

Session 6: Movin' On Up

Have you ever wondered when and how to introduce more advanced techniques to students who seem to be rising up the ranks at breakneck speed? In this session, I share how and when to cover the topics that turn beginners into pros.

Includes:

- An outline of the first few months of what is covered in lessons or in the classroom

- Which scales to begin with and why

- How to keep the interest up after the initial excitement wears off

- Common issues that creep in during the first few months: posture flute droop, hand position, D and E-flat fingering, high note fingerings

-Teaching the third octave

- Topics that flutists are famous for...when and how to introduce vibrato to a new player, how to begin incorporating musicality into their performance, and how to guide a player in moving while they play

Session 7: Superb Sound

There is no doubt the flute has the capacity to sing beautifully, and it all starts with communicating a clear and concise sound concept to beginners. In this session, I discuss how both embouchure and lip shapes affect the sound coming from the instrument.

Includes:

- How braces and other teeth correction devices impact sound and embouchure, and how to help beginners work with these limitations to produce the best possible sound from their instrument

- Various embouchure styles, the types of sounds you can expect from each, and how to know which style is best for a player based on the shape of their lips

- How air flow is affected by both embouchure and lip shape, and how to walk a beginner through using both to control their sound using all three together

- Photos and videos of 10 different students with an analysis of their embouchure shape and the type of tone they create

Session 8: Tactical Trouble-
shooting

Every instrument has its challenges, and every player's genetics and playing tendencies bring about various issues that you'll need to help them solve. In this session, I discuss the most common problems I see as beginner flutists navigate their body and the instrument.

Includes:

- Air, embouchure, or posture? (HINT: These are "the big three" and knowing which one to tackle first is critical)

- Tips for correcting air flow, pitch, dynamics in the high and low registers, rhythm, and many more of the most frequent issues that cause difficulty for beginning flutists

- Troubleshooting articulation issues

- Teaching tapering

Trust me. I get it.

You're a working musician or teacher and funds are hard to come by. The price of this course is equal to:

- 5 private lessons
- 9 pedagogy books
- Hours of combing through the Internet looking for answers

Plus, look at those sweet faces. They need you to learn so they can learn.

The total cost of Flute Roots is $297.

There are three payment options available.

One Full Payment of $297

You'll pay one time for everything and not be billed again.

Choose your preferred payment plan